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Create the Perfect Hero Image Using Contrast

December 7th, 2016 No comments

Want to make a great first impression? It starts with your website’s header. The image a user sees will leave an impression—good or bad—and determine whether that user clicks and continues, or leaves the site altogether.

That’s a tall order for a single image.

The key element to creating a hero image that will draw users in and keep them moving around the design is contrast. (Seriously! It all goes back to design theory 101.) A head that features contrasting elements in size, color and scale provides the right mix of visual interest and tells users how to interact with the design. Here are a few ways to maximize contrast on the path to creating a perfect hero image.

Crop Strategically

The hero image does not have to fill the “first” screen on devices. Don’t get caught in that trap.

Crop the image for impact based on the content therein. Consider the other elements that are important to users when they land on the page and make accommodations for those as well. Depending on this framework, that might mean the hero image is scaled to be larger or smaller than the browser window (let’s just consider more standard resolutions for sake of argument).

Before you balk at the idea, consider it for a moment.

  • A shallow image will help preview other content.
  • An unusually deep image will encourage users to scroll for more.
  • Any unusual shape will draw attention.

Consider Animation

You don’t have to create a full-fledge cinematographic experience to add moving imagery to the hero header. The smallest touches of movement create just enough contrast to grab the eye.

Subtle movements, such as the plane flying across the image for Bar Z Winery, provide that element of contrast without being overwhelming. It’s a simple alternative to some of the more flashy video headers that have become popular. The element of contrast is two-fold: The design is different that many of the others that users are exposed to and the subtle movement is delightful and rather unexpected.

On the other hand, you can go all in with animation or video for a hero image. Movement can be particularly engaging and is a popular option. Use it in the same ways you would a still image when it comes to adding effects such as typography and calls to action.

Think Bold Typography

Typography in the hero image should wow the user. It needs to be bold, impactful and memorable.

You can create this with both typeface selection and the words on the screen. (No Arial headers that say “Hello” here.)

The combination of lettering style and messaging needs to have direct impact and appeal on the user. You’ve heard that people have shorter attention spans than goldfish; it’s your job to catch them with beautiful lettering and language.

When it comes to bold type, the key elements of contrast are color and size.

  • The type needs to be a color that stands out from the background. Light on dark or dark on light are the best options when it comes to readability.
  • Bold is a digression from the norm. Consider over- or undersized typography on the hero header for impact.
  • Choose words with meaning. Unless it is key to your message, you don’t need a paragraph in the header. Opt for a few key words that entice users to learn more. (The number of words will impact how large or small lettering can be.)

Choose Color Carefully

A hero image might not be an image at all. It could be a color block or cool texture.

Choose a color carefully that portrays the exact meaning you intend. A bold color hero header can impress users, but the wrong color can be a turn off.

Bright, trendy options are a good alternative. The nice thing about this option is you can mix it up from time to time just by changing the background color. A big color background can also help reinforce brand identity—particularly if it has a strong color association—and lends itself to readability because of the simple nature of the design.

Color is also an important consideration when used with another image or video. From colored typography to colored user interface elements, it is important to make sure that color choices in the image match the rest of the design. Much of this goes back to color theory and an understanding of the color wheel so that the image and color choices work together in the design.

But what if the hero image and brand colors don’t mesh? Think creatively about how to use the parts in the hero image together. Try a color overlay on the photo; consider black and white for the image or text. Move high-color elements into a navigation bar that’s white or black to keep them off the actual image. When the image and the mandated colors don’t play well, the best option is to eliminate or separate the color.

Think About Light and Dark Spaces

Accounting for dark and light spaces in an image might be the most difficult task when adding elements to create contrast in a hero image. Particularly with responsive formats and breakpoints, the placement of text or buttons on an image can change and you can’t always find a great location.

What’s a designer to do?

  • Choose another image;
  • opt for a different type family, size or color;
  • add a color overlay;
  • make the best of it.

Each of the above is a viable option. The best option may vary by project.

The Society Inc.‘s solution in the hero image slider—with plenty of variance between light and dark spaces – was to include a logo overlay with white text in a black shape. It does not detract from the images and is a lot less obtrusive than you might think from hearing the idea. The logo in the center also helps establish brand and visual identity.

Include a Distinct Call to Action

Don’t forget the CTA!

What do you want users to do after they look at your cool hero image? Tell them.

The call to action should be clear, whether it is to fill out a form, scroll for more content or to click a link to another page. It should include enough definition and contrast so that it is easily seen against the image background. (What’s the point in a CTA if no one sees it?)

Color and size are of particular importance here. The color of the button (a common CTA cue) should stand out from the rest of the image. The words telling users what to do need to be exceptionally readable, simple and clear.

Conclusion

Contrast is one of the key techniques for any good design. It creates separation between elements and helps guide users toward the desired action.

Take special care to create enough contrast when designing a hero image so that users know exactly what actions to take on the page. Peek at your metrics and if those conversions aren’t happening, rethink the amount of contrast in the design. It might be time to amp it up even more.

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Best Practices For Animated Progress Indicators

December 7th, 2016 No comments

Visibility of system status is one of the most important principles in user interface design. Users want to feel in control of the system they’re using, which means they want to know and understand their current context at any given time, and especially when a system is busy doing work. A wait-animation progress indicator is the most common form of providing a system status for users when something is happening or loading.

While an instant response from an app is the best, there are times when your app won’t be able to comply with the guidelines for speed. A slow response could be caused by a bad internet connection, or an operation itself can take a long time (e.g. install an update for OS). For such cases, in order to minimize user tension, you must reassure users that the app is working on their request and that actual progress is being made. Thus, you should provide feedback to the user about what is happening with the app within a reasonable amount of time.

The post Best Practices For Animated Progress Indicators appeared first on Smashing Magazine.

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CSS-Tricks Chronicle XXIX

December 6th, 2016 No comments

A round up of goings-on related to me, this site, and related projects, as we are wont to do once in a while. I’ve had the good fortune of being a guest on a number of podcasts lately, so I’ll link up those. I’ll share some upcoming conferences I’ll be at and news from CodePen and ShopTalk Show.


I got to be a guest on the OfficeHours.FM Podcast with Carrie Dils in All the Things, Episode 122. Carrie’s podcast is about the WordPress ecosystem, so we chat about CSS-Tricks a good bit, which is a WordPress site. We talk about business, staying on top of things, the origin of CodePen, and more.


I gave my presentation 10 Things You Can (and Should) Do With SVG as a webinar for Shopify, and they wrote it up and published the whole talk.


I’ll be speaking at some conferences coming up. Only a few of them have landing pages up so far, so here’s those:

At AEA Seattle, not only will I be giving a talk, I’ll also be giving a full day workshop. Use coupon code AEACOYI for any of those.

There will be more to announce soon, including some in Canada and Europe.


I got to be on the User Defenders podcast with Jason Ogle in episode 028: Be Persistent with Chris Coyier.

This podcast offers the first-and-only discount I’ve ever shared for Practical SVG: SUPERSVG.


I got to be on the HackingUI podcast with David Tintner & Sagi Shrieber in Episode #24: How to grow a blog and remain true to your audience. I enjoyed these fellas entrepreneurial spirit, as they’ve both gone full time on HackingUI now.


I got to be on the How I Built It podcast with Joe Casabona on Episode #6: Chris Coyier & CodePen.


There is plenty happening at CodePen. We just passed 10,000,000 Pens created. We just wrapped up a mini-series on CodePen Radio where we talk to 10 other businesses that have similarity CodePen in one way or another.

We’re still in the throes of working on big new features and infrastructure. So there haven’t been a whole lot of feature releases, but there will be in the coming months, followed by more active smaller releases in 2017.

One brand new thing is The CodePen Spark, our new newsletter. It’s full of hand-picked selections of the best stuff around CodePen and the web at large each week.


Episode 245 of ShopTalk Show just went out, which is our last of 2016. It’s also the 14th RAPIDFIRE episode in a row, as Dave and I were enjoying the simplicity and original ShopTalk spirit of that. We’ll be back in January with new shows.


CSS-Tricks Chronicle XXIX is a post from CSS-Tricks

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CSS Grid!

December 6th, 2016 No comments

Eric Meyer, talking to himself:

How long until I can actually use Grid, then? Two or three years?

March 2017. So about four months from now.

Grid sounds like tables 2.0. I thought we all agreed tables for layout were a bad idea.

We agreed table markup for layout was a bad idea

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CSS Grid! is a post from CSS-Tricks

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How to Add Snowflakes to your Adobe Muse Website

December 6th, 2016 No comments
snow

Add Snowflakes to your Adobe Muse website. No Coding Skills Required.

Adobe Muse CC Logo

Winter is here, and with winter comes snow and Christmas! That is why in this tutorial I will be showcasing how to add snowflakes to your Adobe Muse website. We will be using the Particles.js widget from museforyoushop.com to add the snowflakes along with a few other widgets. We will also be downloading the snowflake image from misha.studio/snowflaker.

Muse For You - How to Add Snowflakes - Adobe Muse CC

The steps are as follows:

1. Go to misha.studio/snowflaker/ and create a snowflake. Right click on the snowflake and save as a .png file.

2. Create a new website in Adobe Muse and drag and drop the Particles.js Widget – Fullscreen.

3. In the ‘Particles’ section set how many snowflakes you would like to be falling at a time by entering an amount in the ‘Number of Particles’ option.

4. For the Particle Shape select ‘Image.’ Add the image that was created and downloaded from the snowflaker website. Resize the image to the dimensions of the snowflake. In this example the snowflake width was 100px and the height was 75px.

5. In the ‘Size’ section set the minimum size and the maximum size for the snowflakes. Having variable sizes gives it a more realistic effect when the snow is falling.

6. For the ‘Line Link’ section remove the lines between the snowflakes by unchecking ‘Enable Line Link.’

7. In the ‘Movement’ section set the ‘Move Speed’ to 3. Set the ‘Move Direction’ to bottom so the snowflakes fall from the top to the bottom.

8. In the ‘Interactivity’ section disable interactivity on hover and on click so the snowflakes don’t move when the mouse moves or respond when the mouse is clicked.

9. Done :). You now have snowflakes on your Adobe Muse website.

Muse For You - How to Add Snowflakes - Adobe Muse CC

For more video tutorials and widgets for Adobe Muse visit http://museforyoushop.com.

Happy Musing :).

Read More at How to Add Snowflakes to your Adobe Muse Website

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20 Inspiring Examples of Tape Art That You Must See

December 6th, 2016 No comments
tape1

Tape, printed or gaffer tape, double-sided or packing tape – I don`t care as long as it produces such great art. And Tape is a great medium to create linear shapes. So, here are 20 fantastic examples of Tape Art.

CHU

Urban Tape Art from 2015. We all know this furry guy…

© DINOMAAT

Installations

Jay Walker is a Philadelphia-based multi-disciplinary artist creating tape installations, mixed media painting, and carved sculptures.


© Jay Walker

Art

Geometric shapes on walls and fences. This artist draws, line by line, fascinating labyrinths.

tape3
© Gustavo Fuentes

3D

Ostap Art is a Artists Collective from Berlin. Take a look at the façade and interior design.

tape4
© Ostap

funky octopus

A huge piece of work in the art village of the Berlin Festival. A colorful tape art creature.

tape5
© LaMia & ROB & hi#claas

Hang Loose

A surfer hand signal is riding a breaking wave. Tape over is an international tape art crew based in Berlin.

tape6
© Tape over

Unlimited Space

Esther Stocker is an Italian painter and installation artist. Her works are stunning geometric environments.

tape7
© Esther Stocker

Your escape from patterns your parents designed

The site-specific architectural installations are assembled from thousands of strands of flagging tape.

tape8
© Megan Geckler

Monika Grzymala

Grzymala is a Polish-born artist who’s lived in Germany. Her installations are a kind of three-dimensional drawing, and her signature material is tape.

tape9
© Monika Grzymala

(untitled)

The Berlin artist Martin Müller creates his works of art from transparent tape.

tape10
© Martin Müller

Stroke Art Fair

Known for his geometric style, characterized by the total absence of curves and roundness, he realizes his artworks exclusively with adhesive tape.

tape11
© No Curves

Zobop Colour

Vinyl Tape applied to the floor. A beautiful, striking floor pattern by Jim Lambie.

tape12
© Jim Lambie

Hummingbird Effect

Berlin-based Tape Crew combine Tape Art with projection mapping.

tape13
© Tape Over Crew

Microsoft

Berta Sola is a Spanish tape artist based in Berlin and Valencia. Her minimal Tape art style is influenced by her background in architecture.

tape14
© Berta Sola

My dead ear

Another example of Ostap. Street art out of duct tape.

tape15
© ostap

Fuchsbau Festival

The matching contrast to the organic impala antelopes forms the water, made of a geometric pattern.

tape16
© Tapeart

Drop

Aakash Nihalani creates geometric art from lines. Look at his great gallery.

tape17
© Aakash Nihalani

Unnamed

The Australian artist Buff Diss has created a unique brand of art, eschewing the use of paint to work solely through the medium of tape.

tape18
© Buff Diss

Adobe Remix

The Adobe Remix Project with a great example of a tape art installation.

tape19
© Klebebande

raumzeichnung

For his work, Jörg Mandernach uses both his own materials as well as pictures that come from an international context.

tape20
© Jörg Mandernach

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Giveaway: Win 1 of 3 Template Monster themes

December 6th, 2016 No comments

Themes are a great way to speed up a website launch. They make for a fantastic minimum viable product when you need to get going, and fast. Put a little work into them, and you might never need a custom design. Great themes can get expensive, though.

Well put your wallets away, dear readers, because it’s time for free stuff! For a limited time only, TemplateMonster.com is teaming up with us to give away three of their flagship templates and themes of 2016.

What can you win?

You can win your choice of themes for WordPress, Joomla, Magento PrestaShop, Moto CMS 3, or even static HTML5. There’s a little something for everyone, just take a look at your options:

Monstroid WordPress theme

Monstroid is a multipurpose responsive WordPress theme aimed both at the experienced developers and DIY guys. It is an all-inclusive toolkit for all your web design and development needs. Monstroid comes with 50 Child themes created specifically for the most popular business niches. All pages of every Monstroid theme can be edited (the pack includes 100+ layered PSD files) in Photoshop.

Details | Demo

Video preview:

Jumerix: a multipurpose Joomla template

Jumerix is a multipurpose responsive Joomla template suitable for your blogs, portfolios, business and personal sites as well as eCommerce projects (due to the VirtueMart integration).

Details | Demo

Video preview:

Intense: Multipurpose HTML5 template

Intense lives up to its name by packing in everything you might need to get your site started. Like what, you ask?

  • 250+ HTML Files, 10 home Layouts and demos, 13 header & 4 footer styles
  • 10+ eCommerce shop templates, 30+ blog Templates, 20+ Portfolio Templates
  • 60+ Reusable Elements,
  • Event Templates + Calendars, Various Sidebar & Footer Widgets

The full list is much, much longer, so… you get the idea.

Details | Demo

Video preview:

Vini Magento theme

Vini is an incredibly powerful Magento theme created for clothes and fashion stores. The theme is totally optimized for modern eCommerce: it’s fast, trendy, and intuitive.

Details | Demo

Video preview:

Styler PrestaShop theme

Styler is a PrestaShop theme developed for fashion and clothing stores. It is responsive, so your customers will be able to do the shopping from any modern device they prefer. The theme is Multilingual, which will help you expand your product market and increase conversions accordingly.

Details | Demo

Video preview:

Spectrum Business Moto CMS 3 Template

And last, but not least, is Spectrum. It’s an all-in-one solution for your business. This responsive template is designed to get you up and running with Moto CMS 3 as fast as possible. You don’t need to spend your precious time optimizing your website. Everything has been already done for you.

Details | Demo

Video preview:

How to enter

To enter this awesome competition, all you need to do is leave a comment below, telling us: which template you want to win, and what you like best about it.

You must add your email address to the comment, or use a Disqus account registered with your email address—if we can’t contact you, you can’t win. (Your email address will only be used to notify you if you’re a winner, it won’t be passed on to anyone.)

Entries are open from Tuesday 6th December 2016, until midnight on Tuesday the 13th December 2016. Three winners will be chosen at random.

Good luck!

[– This is a sponsored giveaway on behalf of Template Monster –]

OhMy! Designer’s Toolkit: Easily Build Creative Scenes in Photoshop – only $14!

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margin-bottom or margin-top

December 6th, 2016 No comments

I posted a context-less poll on Twitter, just for fun.

ok lets do this

— Chris Coyier (@chriscoyier) December 1, 2016

The implied context, as most CSS nerds could probably suspect, is:

To space elements out vertically from each other, do you generally go for margin-bottom on the top element, or margin-bottom on the bottom element?

61% of ~2,000 votes said margin-bottom. I figured it would win, but I didn’t suspect so narrowly. The web feels like a push-downy kind of medium and I’d say it feels more logical/natural to apply spacing to the first element rather than second.

One way or another, it’s common to have to remove the spacing from one side or the other. Kinda like:

.module > *:last-child {
  margin-bottom: 0;
}

/* or */

.module > *:first-child {
  margin-top: 0;
}

But don’t read too much into that. There are a million ways to handle structure, spacing, selectors, and all that. I just mean to say: it’s a horse apiece. One isn’t any better than the other. They don’t need to be mutually exclusive either, but remember how they collapse.

Greg Whitworth pointed out that margin-top actually has a narrow edge in “a Bing-powered can of 1,070,510 pages”.

Data from here

But as Estelle Weyl pointed out, that’s mostly coming from people resetting those values, not actively using them for spacing. It would be interesting to see that same data with non-zero values.


margin-bottom or margin-top is a post from CSS-Tricks

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Hot To Build A SpriteKit Game In Swift 3 (Part 2)

December 6th, 2016 No comments

Have you ever wondered what it takes to create a SpriteKit game? Does collision detection seem like a daunting task? Do you want to know how to properly handle sound effects and background music? Game-making has never been easier on iOS since the introduction of SpriteKit. In part two of this three-part series, we will explore the basics of SpriteKit.

If you missed out on the previous lesson, you can catch up by getting the code on GitHub. Remember that this tutorial requires Xcode 8 and Swift 3.

The post Hot To Build A SpriteKit Game In Swift 3 (Part 2) appeared first on Smashing Magazine.

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Service Worker, what are you?

December 5th, 2016 No comments

Mariko Kosaka:

I finally figured out, it’s an alien you can invite to live on user’s browser.

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Service Worker, what are you? is a post from CSS-Tricks

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