If you’ve ever owned an IKEA FRAKTA bag (yes, that iconic blue wonder that seems capable of holding your entire life), then you’ll want to check out IKEA’s latest design-inspired pop-up: the ‘Hus of FRAKTA.’

Located on London’s bustling Oxford Street, this pop-up isn’t just a retail space—it’s a celebration of the design innovation and cultural significance behind one of the most recognizable items in IKEA’s catalog.

A Design Icon Reimagined

Let’s talk about the FRAKTA bag. It’s not just a bag—it’s a symbol of IKEA’s democratic design ethos: practical, affordable, and surprisingly stylish.

With its bold blue color, durable polypropylene material, and minimalistic yet functional structure, the FRAKTA bag has been a staple for over 30 years.

It’s the ultimate in “form meets function,” designed to adapt to countless uses, from carrying groceries to serving as a laundry basket or even a plant protector (seriously, people have gotten creative!).

The ‘Hus of FRAKTA’ takes this humble design marvel and elevates it into an experience. Every corner of the pop-up is thoughtfully curated to highlight how a simple design object can inspire creativity and utility in everyday life.

Design Features to Explore at the Pop-Up

1. The Atelier: Customization Meets Craft

At the heart of the pop-up is The Atelier, a personalization station where visitors can transform their FRAKTA bags into unique design pieces.

The beauty of the FRAKTA lies in its simplicity, and this is a perfect blank canvas for creative expression. Think screen prints, patches, and embroidery—elements that allow you to make this everyday object truly your own. It’s design democratization at its finest: a high-end custom experience for just £3 (or free if you’re an IKEA Family member).

2. The FRAKTA Walk: Immersive Design Storytelling

Ever wondered what it would feel like to walk inside a FRAKTA bag? The pop-up features an immersive walkway inspired by the bag’s design. It’s playful, bold, and a bit surreal—an ode to the product’s larger-than-life status in the world of functional design.

3. Curated Collection: A Tribute to IKEA’s Best Designs

The pop-up also showcases a curated collection of IKEA products, with a focus on items that reflect FRAKTA’s bold blue aesthetic.

From the sleek RÄFFELBJÖRK vase to the versatile DOMSTEN stool, this collection highlights IKEA’s ability to balance form, function, and affordability. It’s a reminder that great design doesn’t have to come with a hefty price tag.

Why It Works: The Genius of Simple Design

The success of the FRAKTA bag, and by extension the ‘Hus of FRAKTA’ pop-up, lies in the principles of democratic design.

At IKEA, every product is created with five pillars in mind: form, function, quality, sustainability, and affordability. The FRAKTA embodies all of these, which is why it’s such an enduring classic.

By focusing on this bag, the pop-up underscores the idea that even the simplest designs can have a profound impact. It’s a celebration of everyday objects that make life easier and better—and isn’t that what good design is all about?

A Fusion of Fashion and Function

What makes the ‘Hus of FRAKTA’ particularly exciting is how it bridges the gap between fashion and functionality.

The FRAKTA bag has already inspired countless memes, DIY hacks, and even high-fashion knockoffs (remember Balenciaga’s expensive tribute?).

By leaning into this cultural phenomenon, IKEA has created a space that’s as much about lifestyle and creativity as it is about retail.

Final Thoughts

If you’re in London, the ‘Hus of FRAKTA’ is a must-visit for anyone who loves design. It’s playful, inspiring, and a testament to the power of thoughtful design in everyday life.

And if you leave with a personalized FRAKTA bag, even better—it’s not just a shopping tote; it’s a piece of design history.

For a multistep form, planning involves structuring questions logically across steps, grouping similar questions, and minimizing the number of steps and the amount of required information for each step. Whatever makes each step focused and manageable is what should be aimed for.

In this tutorial, we will create a multistep form for a job application. Here are the details we are going to be requesting from the applicant at each step:

• Personal Information
  Collects applicant’s name, email, and phone number.
• Work Experience
  Collects the applicant’s most recent company, job title, and years of experience.
• Skills & Qualifications
  The applicant lists their skills and selects their highest degree.
• Review & Submit
  This step is not going to collect any information. Instead, it provides an opportunity for the applicant to go back and review the information entered in the previous steps of the form before submitting it.

You can think of structuring these questions as a digital way of getting to know somebody. You can’t meet someone for the first time and ask them about their work experience without first asking for their name.

Based on the steps we have above, this is what the body of our HTML with our form should look like. First, the main element:

<form id="jobApplicationForm">
  <!-- Step 1: Personal Information -->
  <!-- Step 2: Work Experience -->
  <!-- Step 3: Skills & Qualifications -->
  <!-- Step 4: Review & Submit -->
</form>

Step 1 is for filling in personal information, like the applicant’s name, email address, and phone number:

<form id="jobApplicationForm">
  <!-- Step 1: Personal Information -->
  <fieldset class="step" id="step-1">
    <legend id="step1Label">Step 1: Personal Information</legend>
    <label for="name">Full Name</label>
    <input type="text" id="name" name="name" required />
    <label for="email">Email Address</label>
    <input type="email" id="email" name="email" required />
    <label for="phone">Phone Number</label>
    <input type="tel" id="phone" name="phone" required />
  </fieldset>

  <!-- Step 2: Work Experience -->
  <!-- Step 3: Skills & Qualifications -->
  <!-- Step 4: Review & Submit -->
</form>

Once the applicant completes the first step, we’ll navigate them to Step 2, focusing on their work experience so that we can collect information like their most recent company, job title, and years of experience. We’ll tack on a new

<form id="jobApplicationForm">
  <!-- Step 1: Personal Information -->

  <!-- Step 2: Work Experience -->
  <fieldset class="step" id="step-2" hidden>
    <legend id="step2Label">Step 2: Work Experience</legend>
    <label for="company">Most Recent Company</label>
    <input type="text" id="company" name="company" required />
    <label for="jobTitle">Job Title</label>
    <input type="text" id="jobTitle" name="jobTitle" required />
    <label for="yearsExperience">Years of Experience</label>
    <input
      type="number"
      id="yearsExperience"
      name="yearsExperience"
      min="0"
      required
    />
  </fieldset>

  <!-- Step 3: Skills & Qualifications -->
  <!-- Step 4: Review & Submit -->
</form>

<form id="jobApplicationForm">
  <!-- Step 1: Personal Information -->
  <!-- Step 2: Work Experience -->

  <!-- Step 3: Skills & Qualifications -->
  <fieldset class="step" id="step-3" hidden>
    <legend id="step3Label">Step 3: Skills & Qualifications</legend>
    <label for="skills">Skill(s)</label>
    <textarea id="skills" name="skills" rows="4" required></textarea>
    <label for="highestDegree">Degree Obtained (Highest)</label>
    <select id="highestDegree" name="highestDegree" required>
      <option value="">Select Degree</option>
      <option value="highschool">High School Diploma</option>
      <option value="bachelor">Bachelor's Degree</option>
      <option value="master">Master's Degree</option>
      <option value="phd">Ph.D.</option>
    </select>
  </fieldset>
  <!-- Step 4: Review & Submit -->
  <fieldset class="step" id="step-4" hidden>
    <legend id="step4Label">Step 4: Review & Submit</legend>
    <p>Review your information before submitting the application.</p>
    <button type="submit">Submit Application</button>
  </fieldset>
</form>

<form id="jobApplicationForm">
  <!-- Step 1: Personal Information -->
  <!-- Step 2: Work Experience -->
  <!-- Step 3: Skills & Qualifications -->

  <!-- Step 4: Review & Submit -->
  <fieldset class="step" id="step-4" hidden>
    <legend id="step4Label">Step 4: Review & Submit</legend>
    <p>Review your information before submitting the application.</p>
    <button type="submit">Submit Application</button>
  </fieldset>
</form>

<link rel="stylesheet" href="https://cdn.simplecss.org/simple.min.css" />

<details>
  <summary>View CSS</summary>
  body {
    min-height: 100vh;
    display: flex;
    align-items: center;
    justify-content: center;
  }
  main {
    padding: 0 30px;
  }
  h1 {
    font-size: 1.8rem;
    text-align: center;
  }
  .stepper {
    display: flex;
    justify-content: flex-end;
    padding-right: 10px;
  }
  form {
    box-shadow: 0px 0px 6px 2px rgba(0, 0, 0, 0.2);
    padding: 12px;
  }
  input,
  textarea,
  select {
    outline: none;
  }
  input:valid,
  textarea:valid,
  select:valid,
  input:focus:valid,
  textarea:focus:valid,
  select:focus:valid {
    border-color: green;
  }
  input:focus:invalid,
  textarea:focus:invalid,
  select:focus:invalid {
    border: 1px solid red;
  }
</details>

<form id="jobApplicationForm">
  <!-- Step 1: Personal Information -->
  <fieldset>
    <!-- ... -->
    <button type="button" class="next" onclick="nextStep()">Next</button>
  </fieldset>

  <!-- Step 2: Work Experience -->
  <fieldset>
    <!-- ... -->
    <button type="button" class="previous" onclick="previousStep()">Previous</button>
    <button type="button" class="next" onclick="nextStep()">Next</button>
  </fieldset>

  <!-- Step 3: Skills & Qualifications -->
  <fieldset>
    <!-- ... -->
    <button type="button" class="previous" onclick="previousStep()">Previous</button>
    <button type="button" class="next" onclick="nextStep()">Next</button>
  </fieldset>

  <!-- Step 4: Review & Submit -->
  <fieldset>
    <!-- ... -->
    <button type="button" class="previous" onclick="previousStep()">Previous</button>
    <button type="submit">Submit Application</button>
  </fieldset>
</form>

// Step 1 fields
const name = document.getElementById("name");
const email = document.getElementById("email");
const phone = document.getElementById("phone");

// Step 2 fields
const company = document.getElementById("company");
const jobTitle = document.getElementById("jobTitle");
const yearsExperience = document.getElementById("yearsExperience");

// Step 3 fields
const skills = document.getElementById("skills");
const highestDegree = document.getElementById("highestDegree");

let errorMsgs = [];

<div id="errorMessages" style="color: rgb(253, 67, 67)"></div>

const errorMessagesDiv = document.getElementById("errorMessages");

function nextStep() {
  errorMsgs = [];
  errorMessagesDiv.innerText = "";

  switch (currentStep) {
    case 1:
      addValidationErrors(name, email, phone);
      validateStep(errorMsgs);
      break;

    case 2:
      addValidationErrors(company, jobTitle, yearsExperience);
      validateStep(errorMsgs);
      break;

    case 3:
      addValidationErrors(skills, highestDegree);
      validateStep(errorMsgs);
      break;
  }
}

function addValidationErrors(fieldOne, fieldTwo, fieldThree = undefined) {
  if (!fieldOne.checkValidity()) {
    const label = document.querySelector(label[for="${fieldOne.id}"]);
    errorMsgs.push(Please Enter A Valid ${label.textContent});
  }

  if (!fieldTwo.checkValidity()) {
    const label = document.querySelector(label[for="${fieldTwo.id}"]);
    errorMsgs.push(Please Enter A Valid ${label.textContent});
  }

  if (fieldThree && !fieldThree.checkValidity()) {
    const label = document.querySelector(label[for="${fieldThree.id}"]);
    errorMsgs.push(Please Enter A Valid ${label.textContent});
  }

  if (errorMsgs.length > 0) {
    errorMessagesDiv.innerText = errorMsgs.join("n");
  }
}

function validateStep(errorMsgs) {
  if (errorMsgs.length === 0) {
    showStep(currentStep + 1);
  }
}

function showStep(step) {
  steps.forEach((el, index) => {
    el.hidden = index + 1 !== step;
  });
  currentStep = step;
}

const steps = document.querySelectorAll(".step");

function previousStep() {
  errorMessagesDiv.innerText = "";
  showStep(currentStep - 1);
}

<form id="jobApplicationForm">
  <div class="stepper">
    <span><span class="currentStep">1</span>/4</span>
  </div>
  <!-- ... -->
</form>

const currentStepDiv = document.querySelector(".currentStep");

currentStepDiv.innerText = currentStep;

const form = document.getElementById("jobApplicationForm");

// Save data on each input event
form.addEventListener("input", () => {
  const formData = {
    name: document.getElementById("name").value,
    email: document.getElementById("email").value,
    phone: document.getElementById("phone").value,
    company: document.getElementById("company").value,
    jobTitle: document.getElementById("jobTitle").value,
    yearsExperience: document.getElementById("yearsExperience").value,
    skills: document.getElementById("skills").value,
    highestDegree: document.getElementById("highestDegree").value,
  };
  localStorage.setItem("formData", JSON.stringify(formData));
});

window.addEventListener("DOMContentLoaded", () => {
  const savedData = JSON.parse(localStorage.getItem("formData"));
  if (savedData) {
    document.getElementById("name").value = savedData.name || "";
    document.getElementById("email").value = savedData.email || "";
    document.getElementById("phone").value = savedData.phone || "";
    document.getElementById("company").value = savedData.company || "";
    document.getElementById("jobTitle").value = savedData.jobTitle || "";
    document.getElementById("yearsExperience").value = savedData.yearsExperience || "";
    document.getElementById("skills").value = savedData.skills || "";
    document.getElementById("highestDegree").value = savedData.highestDegree || "";
  }
});

// Clear data on form submit
form.addEventListener('submit', () => {
  // Clear localStorage once the form is submitted
  localStorage.removeItem('formData');
}); 

localStorage.setItem("storedStep", currentStep);

const storedStep = localStorage.getItem("storedStep");

if (storedStep) {
    const storedStepInt = parseInt(storedStep);
    steps.forEach((el, index) => {
      el.hidden = index + 1 !== storedStepInt;
    });
    currentStep = storedStepInt;
    currentStepDiv.innerText = currentStep;
  }

localStorage.removeItem("storedStep");

With a 13 billion year head start on evolution, why haven’t any other forms of life in the universe contacted us by now?

(Arrival is a fantastic movie. Watch it, but don’t stop there – read the Story of Your Life novella it was based on for so much additional nuance.)

This is called the Fermi paradox:

The Fermi Paradox is a contradiction between high estimates of the probability of the existence of extraterrestrial civilizations, such as in the Drake equation, and lack of any evidence for such civilizations.

– There are billions of stars in the galaxy that are similar to the Sun including many billions of years older than Earth.
– With high probability, some of these stars will have Earth-like planets, and if the Earth is typical, some might develop intelligent life.
– Some of these civilizations might develop interstellar travel, a step the Earth is investigating now.
– Even at the slow pace of currently envisioned interstellar travel, the Milky Way galaxy could be completely traversed in about a million years.

According to this line of thinking, the Earth should have already been visited by extraterrestrial aliens. In an informal conversation, Fermi noted no convincing evidence of this, nor any signs of alien intelligence anywhere in the observable universe, leading him to ask, “Where is everybody?”

To me, this is a compelling argument, in the same way that the lack of evidence of any time travellers is:

Many have argued that the absence of time travelers from the future demonstrates that such technology will never be developed, suggesting that it is impossible. This is analogous to the Fermi paradox related to the absence of evidence of extraterrestrial life. As the absence of extraterrestrial visitors does not categorically prove they do not exist, so the absence of time travelers fails to prove time travel is physically impossible; it might be that time travel is physically possible but is never developed or is cautiously used. Carl Sagan once suggested the possibility that time travelers could be here but are disguising their existence or are not recognized as time travelers.

It seems, to me at least, clear evidence that time travel is not possible, given the enormous amount of time behind us. Something, somewhere, would certainly have invented it by now… right?

So if not, what happened? The Great Filter maybe?

The Great Filter theory says that at some point from pre-life to Type III intelligence, there’s a wall that all or nearly all attempts at life hit. There’s some stage in that long evolutionary process that is extremely unlikely or impossible for life to get beyond. That stage is The Great Filter.

I liked Wait But Why’s take on this a lot, which covers three main filter possibilities:

1. Life is extraordinarily rare, almost impossible

2. We are not a rare form of life, but near the first to evolve

3. Almost no life makes it to this point

Those are three Great Filter possibilities, but the question remains: why are we so alone in the observable universe? I grant you that what we can observe is appallingly tiny given the unimaginable scale of the universe, so “what we can observe” may not be enough by many orders of magnitude.

I encourage you to read the entire article, it’s full of great ideas explained well, including many other Great Filter possibilites. But Mostly I want to share my personal theory of why we haven’t encountered alien life by now. Like computers themselves, things don’t get larger. They get smaller. And faster. And so does intelligent life.

Why build planet-size anything when the real action is in the small things? Small spaces, small units of time, everything gets smaller.

Large is inefficient and unnecessary. Look at the history of computers: from giant to tiny and tinier. From slow to fast and faster. Personally, I have a feeling really advanced life eventually does away with all physical stuff that slows you down as soon as they can, and enters the infinite spaces between:

This is, of course, a variant on the Fermi paradox: We don’t see clues to widespread, large-scale engineering, and consequently we must conclude that we’re alone. But the possibly flawed assumption here is when we say that highly visible construction projects are an inevitable outcome of intelligence. It could be that it’s the engineering of the small, rather than the large, that is inevitable. This follows from the laws of inertia (smaller machines are faster, and require less energy to function) as well as the speed of light (small computers have faster internal communication). It may be – and this is, of course, speculation – that advanced societies are building small technology and have little incentive or need to rearrange the stars in their neighborhoods, for instance. They may prefer to build nanobots instead.

— Seth Shostak

Seth delivers an excellent TED talk on this topic as well:

If we can barely see far in the universe as is, there’s no way we could possibly see into the infinite space and time between.

That is of course just my opinion, but we’ll see.. eventually.

It’s that time of year again—Spotify Wrapped season is just around the corner, and this year, the streaming giant has found a new way to keep us guessing.

Instead of the usual hints, Spotify is teasing 2024 Wrapped with mysterious, cryptic logos, and the internet is buzzing with theories.

What’s Spotify Wrapped Again?

If you’ve somehow missed the Wrapped craze, here’s a quick recap: every December, Spotify drops a personalized, colorful snapshot of your music habits from the year. It tells you everything from your most-played songs and artists to the oddest hours you were up listening to your guilty pleasure tracks.

It’s a total vibe—and a major flex when you post your stats on Instagram or TikTok.

Wrapped isn’t just fun; it’s a whole cultural moment. Everyone’s sharing their playlists, tagging friends, and debating their “Top Artist” results. And now, Spotify’s teasing its 2024 edition in the most cryptic way possible.

What’s Up with These Logos?

Instead of a straightforward teaser, Spotify has dropped these wild logo designs that feel like a puzzle waiting to be cracked. They’re bold, colorful, and kind of trippy—think warped shapes, motion-inspired graphics, and colors that pop like your favorite album cover.

So, what’s the deal? Are these logos hinting at new Wrapped features? Maybe we’ll get more dynamic visuals or an entirely new way to interact with our year-end stats. Whatever it is, people are losing it trying to figure it out.

Fans Are ALL In

Naturally, the internet is doing what it does best—overanalyzing everything. Some think Spotify is gearing up to introduce community stats, like regional trends or playlists that show what your city’s been vibing to.

Others are hoping for AI-generated insights (think: “What song defines your 2024 energy?”). And there’s speculation about AR or 3D Wrapped experiences because those logos definitely look futuristic.

On TikTok, users are stitching videos with their predictions, while on Twitter, the theories are flying. And Reddit? Let’s just say the rabbit hole of Wrapped conspiracies runs deep.

Why This Works

Honestly, Spotify knows exactly what it’s doing. These cryptic teasers are brilliant marketing. They’ve turned a yearly recap into an event—and now, the mystery has everyone hyped. Instead of just waiting around for Wrapped, people are talking about it, guessing about it, and hyping it up even more.

This playful, design-forward approach is peak Spotify: it’s creative, engaging, and just cryptic enough to keep us on edge.

So, What Can We Expect?

Let’s be real—we won’t know for sure until Spotify officially drops Wrapped, but the teaser logos definitely suggest some exciting updates. Whether it’s next-level visuals, interactive features, or entirely new ways to relive your year in music, one thing’s for sure: Wrapped 2024 is going to hit differently.

In the meantime, why not revisit your favorite songs and playlists from this year? Who knows—your 3 a.m. summer anthem might just become your top track.

Keep your eyes on Spotify’s socials, and get ready to wrap up 2024 in style!

Anchoring pseudo-elements

While playing with anchor positioning, I noticed you can anchor pseudo-elements, just the same as any other element.

#anchor {
  anchor-name: --anchor;

  &::before {
    content: "Target";
    position: absolute;
    position-anchor: --anchor;
    left: anchor(center);
    bottom: anchor(center);
  }
}

CodePen Embed Fallback

Might be useful for adding design flourishes to elements or adding functionality as some sort of indicator.

Moving anchors

Another quick experiment was to see if we can move anchors. And it turns out this is possible!

CodePen Embed Fallback

Notice the use of anchor() functions instead of position-area to position the target element.

#target {
  position: absolute;
  position-anchor: --anchor-one;
  top: anchor(bottom);
  left: anchor(left);
}

Welcome to “Anchor Positioning 101” where we will be exploring this interesting new CSS feature. Our textbook for this class will be the extensive “Anchor Positioning Guide” that Juan Diego Rodriguez published here on CSS-Tricks.

I’m excited for this one. Some of you may remember when CSS-Tricks released the “Flexbox Layout Guide” or the “Grid Layout Guide” — I certainly do and still have them both bookmarked! I spend a lot of time flipping between tabs to make sure I have the right syntax in my “experimental” CodePens.

I’ve been experimenting with CSS anchor positioning like the “good old days” since Juan published his guide, so I figured it’d be fun to share some of the excitement, learn a bit, experiment, and of course: build stuff!

CSS Anchor Positioning introduction

Anchor positioning lets us attach — or “anchor” — one element to one or more other elements. More than that, it allows us to define how a “target” element (that’s what we call the element we’re attaching to an anchor element) is positioned next to the anchor-positioned element, including fallback positioning in the form of a new @position-try at-rule.

The most hand-wavy way to explain the benefits of anchor positioning is to think of it as a powerful enhancement to position: absolute; as it helps absolutely-positioned elements do what you expect. Don’t worry, we’ll see how this works as we go.

Anchor positioning is currently a W3C draft spec, so you know it’s fresh. It’s marked as “limited availability” in Baseline which at the time of writing means it is limited to Chromium-based browsers (versions 125+). That said, the considerate folks over at Oddbird have a polyfill available that’ll help out other browsers until they ship support.

Oddbird contributes polyfills for many new CSS features and you (yes, you!) can support their work on Github or Open Collective!

Tab Atkins-Bittner, contributing author to the W3C draft spec on anchor positioning, spoke on the topic at CSS Day 2024. The full conference talk is available on YouTube:

Here at CSS-Tricks, Juan demonstrated how to mix and match anchor positioning with view-driven animations for an awesome floating notes effect:

Front-end friend Kevin Powell recently released a video demonstrating how “CSS Popover + Anchor Positioning is Magical”.

And finally, in the tradition of “making fun games to learn CSS,” Thomas Park released Anchoreum (a “Flexbox Froggy“-type game) to learn about CSS anchor positioning. Highly recommend checking this out to get the hang of the position-area property!

The homework

OK, now that we’re caught up on what CSS anchor positioning is and the excitement surrounding it, let’s talk about what it does. Tethering an element to another element? That has a lot of potential. Quite a few instances I can remember where I’ve had to fight with absolute positioning and z-index in order to get something positioned just right.

Let’s take a quick look at the basic syntax. First, we need two elements, an anchor-positioned element and the target element that will be tethered to it.

<!-- Anchor element -->
<div id="anchor">
  Anchor
</div>

<!-- Target element -->
<div id="target">
  Target
</div>

We set an element as an anchor-positioned element by providing it with an anchor-name. This is a unique name of our choosing, however it needs the double-dash prefix, like CSS custom properties.

#anchor {
  anchor-name: --anchor;
}

As for our target element, we’ll need to set position: absolute; on it as well as tell the element what anchor to tether to. We do that with a new CSS property, position-anchor using a value that matches the anchor-name of our anchor-positioned element.

#anchor {
  anchor-name: --anchor;
}

#target {
  position: absolute;
  position-anchor: --anchor;
}

May not look like it yet, but now our two elements are attached. We can set the actual positioning on the target element by providing a position-area. To position our target element, position-area creates an invisible 3×3 grid over the anchor-positioned element. Using positioning keywords, we can designate where the target element appears near the anchor-positioned element.

#target {
  position: absolute;
  position-anchor: --anchor;
  position-area: top center;
}

Now we see that our target element is anchored to the top-center of our anchor-positioned element!

Anchoring pseudo-elements

While playing with anchor positioning, I noticed you can anchor pseudo-elements, just the same as any other element.

#anchor {
  anchor-name: --anchor;

  &::before {
    content: "Target";
    position: absolute;
    position-anchor: --anchor;
    left: anchor(center);
    bottom: anchor(center);
  }
}

Might be useful for adding design flourishes to elements or adding functionality as some sort of indicator.

Moving anchors

Another quick experiment was to see if we can move anchors. And it turns out this is possible!

Notice the use of anchor() functions instead of position-area to position the target element.

#target {
  position: absolute;
  position-anchor: --anchor-one;
  top: anchor(bottom);
  left: anchor(left);
}

CSS anchor functions are an alternate way to position target elements based on the computed values of the anchor-positioned element itself. Here we are setting the target element’s top property value to match the anchor-positioned element’s bottom value. Similarly, we can set the target’s left property value to match the anchor-positioned element’s left value.

Hovering over the container element swaps the position-anchor from --anchor-one to --anchor-two.

.container:hover {
  #target {
    position-anchor: --anchor-two;
  }
}

We are also able to set a transition as we position the target using top and left, which makes it swap smoothly between anchors.

Extra experimental

Along with being the first to release CSS anchor-positioning, the Chrome dev team recently released new pseudo-selectors related to the

<!-- ... -->;
<li class="toolbar-item">;
  <button type="button" 
    id="inbox-tool" 
    aria-labelledby="inbox-label" 
    class="tool">
    <svg id="inbox-tool-icon">
      <!-- SVG icon code ... -->
    </svg>
  </button>

  <div id="inbox-label" role="tooltip">
    <p>Inbox</p>
  </div>
</li>
<!-- ... -->

Welcome to our monthly roundup of the best new fonts we’ve found online in the previous four weeks.

November’s edition is particularly strong for script-inspired sans, display faces with motion and energy, and a charming blackletter font. Enjoy!

Formiga

Formiga is a versatile, humanist display typeface designed for attention-grabbing editorials. It has a clear, confident, and fun style, making it perfect for B2C branding projects. There are seven weights (from light to black) with a ton of OpenType features.

Geoscript

GeoScript is a lovely chunky brush script with three weights: Light, Medium, and Bold. It effortlessly combines handwritten and geometric elements making it perfect for a corporate logo with a bit more personality.

Anathera

Anathera is a bold, minimalist typeface with a distinctive pixelation of its diagonal strokes. At large sizes the pixelated details feel disruptive, and at small sizes they create a sense of motion in the text. It’s a great choice for any project that needs to stand out.

Morph

Morph is a versatile display type system built from several different stencil and doubleline styles. It’s a clean modern family with enough variety to create visually interesting word shapes. It’s a great choice for logos, editorial, signage, and poster designs.

Brisca Miera

Brisca Miera is a graceful serif, with swashes and alternate characters to add variety and a sense of hand-crafted typography. It’s an excellent option any time you need a font for a sophisticated design.

Dorat

Dorat is an extremely modern blackletter font. The style is vastly under-used — thanks to some unhappy associations — and this font provides the opportunity to lean into a visually strong style while remaining distinctly contemporary.

Mars

Mars is a carefully drawn humanist sans, offering a more interesting corporate face than fonts like Helvetica. It features four different weights: Condensed, Standard, SemiCondensed, and Extended; providing tremendous versatility. It’s a good choice for a company looking for an original voice in its communications.

Milling

Milling was designed after research into the shapes that lend themselves to CNC machining. There are three styles: Simplex, Duplex, and Triplex. It’s a practical font for anyone machining lettering, but it’s also an excellent font for conveying industrial production.

Wild Lines

Wild Lines is a straight, urban graffiti font that captures the raw energy and edginess of street culture. Its clean, linear style adds structure while preserving graffiti’s rebellious feel. Ideal for projects needing an urban, bold aesthetic, it brings a fresh, city-inspired vibe to designs.

LiebeHeide Fineliner

LiebeHeide Fineliner is a friendly script font with clean lines and smooth curves. Featuring plenty of ligatures and alternatives, it ensures natural, organic text flow and unique designs. It adds a personal touch to any project.

Arkbro

Arkbro is a variable typeface inspired by Ellen Arkbro’s track Mountain of Air, reflecting geometric principles and spatial harmony. Featuring extreme weight contrasts, it’s ideal for playful, animated displays. It’s an excellent choice for designs relating to music.

Hentak

Hentak is a script font with a flowing, handwritten style and a vintage feel. Featuring dramatic curves and ornamental details, it combines modern and classic calligraphic qualities.

Formale Grotesque

Formale Grotesque is a sans-serif typeface inspired by a 1930s alphabet board, blending geometric and dynamic forms with low stroke contrast. Its alternates shift from grotesque to humanist styles, adding versatility and depth.

Gonzaga

Gonzaga is a vibrant modern slab serif with contemporary lines and playful rhythms. It has an energy that makes it perfect for logos, posters, and hero text on the web.

VFU

VFU (Visionary Font Ultra) is a humble sans with flared strokes that lean in the direction of serifs. It comes with nine weights with matching italics, and a display version.

In the early 2000s, the internet was undergoing a massive transformation. Websites were no longer static, text-heavy pages but were becoming immersive digital experiences.

At the forefront of this revolution stood 2Advanced Studios, a name synonymous with cutting-edge web design and innovation. Their website, 2Advanced.com, became an iconic benchmark in the history of the internet, inspiring countless designers and developers.

2Advanced Studios, have reimagined their iconic 2001 V3 website for 2024. This modern iteration is built entirely using Rive and React JS, showcasing their commitment to blending classic aesthetics with contemporary web technologies.

The updated site maintains the futuristic design elements that originally set 2Advanced apart, now enhanced with responsive layouts and interactive animations. This revival not only pays homage to their influential past but also demonstrates their adaptability and continued innovation in the evolving digital landscape.

For a visual journey through their design evolution, you can explore their official YouTube channel, which features content highlighting their creative milestones, or check their X account for the latest news.

The Rise of 2Advanced Studios

Founded in 1999 by Eric Jordan, 2Advanced Studios carved a niche for itself by creating visually stunning and highly interactive websites. At a time when Flash was the dominant technology for creating dynamic online experiences, 2Advanced leveraged its full potential. Their designs were not just websites; they were art.

The company’s flagship website, 2Advanced.com, was a masterpiece of futuristic aesthetics. With themes that drew heavily from cyberpunk and sci-fi inspirations, the site featured sleek metallic textures, neon-lit interfaces, and fluid animations. The navigation was seamless yet experimental, challenging users to explore its digital landscape.

Design That Defined an Era

The site’s most famous iterations—such as “Expedition,” “Prophecy,” and “V5 Ascension”—demonstrated 2Advanced’s mastery of Flash. Each redesign brought a new visual theme that captured the zeitgeist of the web design community. The vibrant colors, cinematic transitions, and immersive soundscapes were unparalleled.

2Advanced wasn’t just about aesthetics. Their work emphasized usability and storytelling, blending form and function to create experiences that were intuitive despite their visual complexity. For many, visiting 2Advanced.com wasn’t just about browsing—it was an event.

Impact on the Web Design Community

2Advanced.com became a beacon of inspiration for web designers and developers worldwide. It showcased what was possible with emerging web technologies and pushed the boundaries of creativity. Forums and design communities buzzed with admiration and analysis of its every iteration. Tutorials and blogs dissected the techniques behind its magic, attempting to emulate its style.

The studio’s influence extended beyond its own website. Clients ranged from Fortune 500 companies to major entertainment brands, all seeking 2Advanced’s ability to merge futuristic visuals with cutting-edge interactivity.

The Downfall of Flash and 2Advanced’s Legacy

As the web evolved, so did its technologies. The rise of mobile devices and the growing importance of responsive design marked the decline of Flash. By the late 2000s, HTML5, CSS3, and JavaScript had become the new standards for creating dynamic web content. These changes rendered Flash-based designs obsolete, and 2Advanced Studios eventually shuttered its operations in the early 2010s.

Yet, the legacy of 2Advanced.com lives on. It remains a cultural touchstone in the history of web design, a reminder of a time when creativity reigned supreme. Its influence can still be seen in modern designs that prioritize user engagement and visual storytelling.

Why It Still Matters

In today’s world of minimalist and utilitarian design, revisiting 2Advanced.com feels like stepping into a time capsule. It reminds us of the boundless enthusiasm and optimism of the early internet era—a time when designers dared to dream big and technology felt like magic.

For those who lived through the golden age of Flash, 2Advanced.com was more than just a website; it was a movement. And for those discovering it for the first time, it stands as a testament to what’s possible when creativity and technology collide.

The spirit of 2Advanced endures, inspiring new generations of designers to push boundaries and create experiences that captivate and inspire.