I work for Supercool, a fast-moving design agency that makes custom built sites for arts clients, powered by the off-the-shelf system, Craft CMS; it’s high-spec graphic design with relatively demanding typography and art direction. Over the past few months we’ve been moving to CSS grid. We’re transitioning slowly, allowing ourselves to discover new paradigms and design methods, instead of simply porting old habits to a new syntax.
So far, we’ve developed a number of really useful strategies for keeping track of the layout. I’ve written a couple of surprisingly nifty mixins, using named areas and templates, and we’ve hit upon some basic conventions to create highly readable code. I thought it would be valuable to walk through a fully-developed production implementation of a single major component using grid, digging in to some of the design questions it throws up and steering you away from some pitfalls we’ve encountered. CSS grid is a large spec, with lots of possible approaches and lots of right ways to do things, but at some point you have to lock down your method and get it live.
I’m expecting some basic familiarity with CSS, Sass, BEM, and some interest in the task of prototyping fully-realized, accessible, custom frameworks with 50+ components from Sketch or Photoshop-type documents on a tight timeline (say, a week).
First, let’s identify and separate out the design into distinct coding tasks and plan how we’ll approach them:
Type: The designer has already defined a type system.
Colors: First, we build a theme model and then include that in the partial.
Content: What elements are in this block? What are its variations? This is where our BEM mixin comes in.
Layout: This is how the content is placed in the block. You might want to skip directly to this.
Conventions: This is exactly how we choose to write all the above. There are many right answers in CSS, so what is important is that we all just agree to a convention, the rules of the road. This really comes first, but for the sake of this article, we’ll conclude here.
Type system
We use utility classes (e.g. h-text--h1, h-text--badge) for type styles. There may be a hundred type styles in a project. We export those styles from Sketch right into our Patternlab using Typex. That’s a whole other article on its own, so let’s just stipulate type as handled. We won’t bring type into our component partial.
Theming is a few tiny mixins dropped in, so we ideally won’t see a ton of color rules in our partial. We store them all together in a _themer.scss partial in our “Mixins and Models” library, so we can be sure to follow the design system of the site. This way, when someone comes back to the build later on, they have a key reference partial describing the design and branding rules. When building and maintaining numerous sites in broadly the same market — but each all with different brand spec — you’ve gotta make sure you don’t mix up one brand with another! So, much like type, we abstract the color rules away from the partial. In essence, we’re really only looking at layout (as much as possible) in our _header.scss file.
Given that we agree the convention to always theme using our mixin, this is how it would be included on an element:
@include var($property, $value);
Then we’ll set a theme model, of how colors work on this particular site and apply that theme to a component with:
@include theme;
Here’s the sample theme model we’re going to use with this page header. It’s super simple.
We’re pairing a color with black or white. We depend on a contrast rule and flip them for emphasis, maybe on events, like hover, or a highlighted call to action. This is all we need to do to make that happen and now we have a document of how color should really work on this site. We can go to and check against if we need to debug or expand the UI.
We also want to prep inheritance to help us, so let’s identify some helpful conventions:
Using this theme model, we might generate any number of themes, perhaps storing them as utility classes, or looping over a list of modifiers inside a component, or just allowing the user to set variables right on the block in the CMS. When IE 11 drops below 1% in our stats, we can do much more with variables, but this is enough for our current purposes.
Let’s not get side-tracked. What about grid?!
Content components
Grid lets us describe exactly what content we have in each partial in a new way. It’s really a game changer for design agencies building new UI for every project and we’re discovering new (and fun) applications for it as we explore.
To give context: we customize each interface for our clients, with custom fields made to suit their specific needs and their content model, using Craft CMS. We have internal tools that pull in events from ticketing APIs and create entries from that data, which may then be edited and expanded (or created entirely) in the CMS. The client can fill in or edit named fields in permanent page regions, and also add in whole designed, branded content blocks into the layout of each page as they build them.
There’s a lot of UI. The clients have a lot of control over content and we have a lot of control over the HTML, so we can ensure a high standard of accessible, semantic code on the page. We develop the content model together during discovery and then turn ’em loose on content creation. They add what they want and we ensure that it works and always looks right. Better than right! Super. (Sorry! :P)
Accessible, logical HTML is my jam. At minimum, I require a green accessibility score on Lighthouse score for my projects. (Who am I kidding, I want that delicious 100!) Core paths and pages are tested with a couple of screen readers, the keyboard tab, keyboard navigation), low vision simulators, dasher, voice access and binary switch. (I also work for Robots and Cake so this is a big part of my development.) I add giant clickable phone numbers and email addresses to pages over and over. I just want to get people where they are going.
I’ve been concerned about the way content can be re-ordered with grid (and flexbox, for that matter). Having gone through a few builds now, I actually think grid can help us with this problem. With CSS Grid, there’s no reason to move around HTML in service to the layout. We can go back to thinking about the whole document as a logical, linear sequence as our first concern.
Branding vs. Performance vs. Maintenance
Arts venues require high-spec graphic design, unified across print and web, and have constantly changing materials (e.g. programs, brochures, tickets, posters, microsites, etc.) they need to get out to their audiences, including contractual marketing obligations that must be met. As you can imagine, we have a lot of high quality large images we have to prioritize and typically come with strong print-led branding. That means we may be serving around fifteen custom fonts (including weight variations, display faces, etc.) and complex CSS to the page as well. We have to keep ourselves as lean as we can. We are shipping CSS that’s around 20 KB nano Gzipped at the moment but I’m working on reducing it further.
However, we do keep the grid area names full length by setting reduce identifiers to false in our PostCSS task. It’s vastly more useful to have the layout maps available in DevTools than it is to save those few bytes. For maintenance, self-documentation, and the sake of your future self who is debugging this site without repo access on a delayed train in Sowerby Bridge: keep the maps.
Code health
The way to balance all these competing needs is to articulate and agree on conventions so that there’s less to fix in testing and so that solved problems stay solved. We examine all the components we build and make sure they always start with a heading, that links go places, and buttons trigger actions, that countable objects are delivered as a list and preceded by a landmark heading, that navs are